Propelling the careers of women figurative realist painters
Aneka Ingold, First Winner of The Bennett Prize, 2019 (middle)
Dr. Elaine Melotti Schmidt (right)
Museums and galleries present far fewer exhibitions of art by women, have fewer pieces by women in their collections, and, when women’s pieces are collected, they generally sell for less than works by male artists. Over the course of time, figurative realism has fallen out of favor in many art schools and universities. Troubled by these trends, Steven and Elaine created The Bennett Prize® through The Pittsburgh Foundation’s Center for Philanthropy. Through the Prize, they hope to create an appetite for figurative realism and increase the likelihood that women who work in this genre will achieve the critical acclaim they deserve.
The Bennett Prize® comes as a growing number of women painters pursue figurative realism to portray the human diversity that both enriches and confounds the world today. Figurative realist painting features the human form in all of its diversity. The genre has an important role to play in contemporary society, where we are struggling to understand both our differences and our commonalities. Art expands what we see and how we interpret what we see.
Goals of the Prize
By propelling the careers of women painters who have not yet realized full professional recognition, empowering new artists and those who have painted for many years, and showcasing talented women figurative painters, The Prize encourages women painters to take their place among the most celebrated painters, often men, dominating the art world today. The Prize expands opportunities for the public, who may not be familiar with figurative realist painting, to learn more about the creative vision of talented women artists in this increasingly popular genre.
The Prize is not open to hobbyists or students, or to artists whose work has been sold for the amount of $25,000 or more, or who have received an award, prize or other recognition for their art in that amount.